How to write about roller derby: A case study with James Dator and Greensboro Roller Derby

This week roller derby got fair news coverage. That, my friends, should, in and of itself, not be news. But it is. And it’s great news. Here’s the story, written by James Dator for SB Nation and picked up by the Philadelphia inquirer.

What’s different about this article is that it is about the legitimacy and growth of the sport without screaming, “This is real, you guys!”

I talked with Dator about his coverage of roller derby. As a journalist myself, what was the most interesting was how he threw out objectivity. And how doing so allowed him to tell a truer story.

Here’s what he said about that: “I feel it would have been disingenuous to try and depict something as important as the legitimacy of female contact sports through derby without believing in it too; I think readers would have seen right through that.”

The result has been a lot of Facebook shares, clicks and chatter in the derby community. So I had to see what the North Carolina league he covered thought too.

“It feels like an article about any other sport.  This may seem a silly thing to be so excited about but anyone who’s involved in roller derby knows it’s kind of a big deal,” Alexandroid said. “He captured all the passion, the triumph, the heartbreak, the hard work and the time that goes into being a part of a roller derby league.”

Greensboro Roller Derby photo by Frayed Edge Concepts LLC.
Greensboro Roller Derby photo by Frayed Edge Concepts LLC.

In a previous post on The Dashboard, I wrote about how journalists always miss the real derby story. I focused on money, but in a later post clarified that that post went viral because we’re sick of cliche “isn’t this quirky!” coverage and because we know this is a huge global movement.

As a skater-journo, I get both sides. Journalists need objectivity. Skater-writers can’t write about derby for a newspaper for the same reason journalists don’t interview their dads for stories. Also, by the nature of traditional media, journalists don’t have time on tight newspaper budgets to delve deep, so they end up seeing fishnets and knee-high socks and going with that. I get it.  Lastly, daily papers usually restrict stories to between 500-1,200 words. (Dator’s was more than 5,500.)

And as a skater, I get why all of that blows. Dator broke the barrier that prevents traditional journalists from reporting about our sport truthfully. That barrier is “objectivity.”

I also talked with the league he covered about their side of things. Here it is (Read Dator’s story first). So, on The Dashboard today are two consecutive interviews, first with the writer, then with a skater from the league.

For background, you should know that Dator’s publication, SBNation has this to say about how it covers sports: “SB Nation was born through the passion of a frustrated sports fan who used to be a print reporter. He felt like no traditional media outlet was covering his team the way that he wanted, which was with a passionate, authoritative voice that would also remain true to a lot of the journalistic principles. In short, professional quality, fan perspective. We firmly believe that sports objectivity is a myth. We’ve always been forthcoming about the fact that we’re relentlessly passionate about the teams and sports we cover.”

Here’s my interview with James Dator:

Were you familiar with derby before reporting this story?
Not outside of the stereotypical view. I, like many still had this perception of the neon-clad, 80’s WWE style derby — not the sport it is today.

Why did you choose to do derby as a story?
Covering professional sports can be draining because of the overwhelming negativity. Seeing my first derby bout was a rekindling of what I love so much about sports in the first place, away from the big-money and extreme fame. A group of people who are in love with a game, and get to share that love with like-minded people. It’s not about having the perfect physique, or the ideal height — it’s about wanting to compete, and willing to sacrifice yourself for it. That’s why it’s so compelling to me.

What surprised you most about the sport?
There was something pure about derby that I haven’t seen in other sports. Perhaps it’s a byproduct of being in a smaller town, but it’s rare to see people play so hard against each other with no jealousy or resentment. The final whistle sounds and it’s all over. The competitors who were trying to obliterate each other are taped up with an ice pack, and having a drink later that night. The mutual support was refreshing, and rare.

How long did it take to report it and how did you go about it?
Roughly five months from first bout to final product. I attended four bouts, roughly 10-15 practices, as well as one team meeting and a conducted a score of interviews — most of which were left out of the piece when I chose to narrow the focus to Susie “Miller Lightnin” Williams.

How did you approach your reporting of this?
Ultimately I think it was pretty simple: The exact same way I approach covering any sport. Typically my work involves NFL coverage, so I took the skills I use to diagnose a practice, or see where a play went wrong and applied that to a new medium. Changing my approach would have done derby a disservice.

Why did you choose to report it this way?
It was hard because there were enough compelling storylines that I could have gone 20 different directions. The interpersonal relationships between skaters, husband/wife teams who both are a part of GSORD, referees who give up hours of time for their role in the sport. The common thread every skater wanted was simply the opportunity to be taken seriously.

Yup.

To that end Susie Williams was the epitome of someone who straddled the line between the fun/community aspect of derby, and the seriousness of wanting the sport to take the next step. She’d been with the league since the very beginning, and was one of the few skaters left who was there for each of the league’s milestones.

How did being a newer, less traditional form of media change the way you covered derby?
As a writer it’s about having the support of editors who are willing to move outside the mainstream, and who have the faith in telling a story that wouldn’t fall inside the traditional 24-hour news cycle. I think traditional sports media is stuck within traditional thinking, and doesn’t give an audience enough credit. Yes, people want to hear about the latest professional sports news — but there’s room for that coverage, and pushing the envelope with subject matter that speaks to the core reasons sport is loved in the first place.

Can you touch on objectivity? You aren’t objective. I’ve seen your Tweets. (ex: “Give derby a chance. I guarantee there’s a team wherever you live, and it a fantastic sport.”)
I certainly didn’t walk into the piece thinking “I’m going to fall in love with this sport,” but here we are. The notion is to serve the story, and to tell that to the best of my ability. I’ll be honest, it’s hard to spend so much time with these women and not inherit some of their passion for roller derby. That said, I think I had the luxury where accurately telling their story, and being a fan of derby weren’t mutually exclusive.

Do you think you not being objective matters? Do you think it allows you to tell a truer story?
The story could have had a very different ending if WFTDA didn’t approve their membership, and Susie’s retirement came well after the piece was written. If this was a different piece, then yes — I think objectivity would be important. However, I feel it would have been disingenuous to try and depict something as important as the legitimacy of female contact sports through derby without believing in it too; I think readers would have seen right through that.

Woah. (If this blog had a glitter font, I would have made that last sentence be glitter. Moving on.)

Why do you think so many other publications often fall into that cliche “By day Heather Steeves is a journalist for an upstanding newspaper, but by night she straps on eight wheels and is a rough and tumble roller girl …” sort of story?
I think it’s because they don’t properly respect roller derby as a sport. The ‘by day, by night’ conceit is set up if the punchline is “ISN’T THIS ZANY?!” I find those piece immensely condescending. If someone works a day job, and plays rec-league soccer afterwards it’s not quirky, so why should derby because of skates and nicknames and the culture behind it?

How and why did you pick the WFTDA recognition as the engine of your story?
It was serendipity really. I think the best stories happen organically like that. Derby itself is interesting, but to arrive right as Greenboro was getting ready to take the step from WFTDA apprentice league to fully-fledged member was too perfect not to be the underlying story behind the league’s growth.

Were there parts you left out that you didn’t want to? What were they?
It’s less that there are parts I wanted in, and more that there are five more stories waiting to be told — they just didn’t fit in this piece.

How is the story being received?
The reception has been very good, and what’s most satisfying is seeing leagues all over the country telling their followers that my story was accurate, or did the sport justice. In the end that’s all I wanted, to tell a story I found compelling as accurately as I could. This wasn’t something that needed to be embellished, because the sport is interesting enough itself.

That’s the end of my interview with the writer James Dator, your new favorite guy. But it got me curious about how the league, Greensboro Roller Derby, felt. I talked with Alexandroid, a skater there. Here’s our interview:

Why did you let James have the access he did?
When James contacted us, he let us know he wanted to tell the story of the sport of roller derby, not the novelty or the shtick as is so common with a lot of the coverage we get. He’d gone to a bout of ours previously and told me he was immediately hooked. We read his other pieces and were familiar with the site and knew the kind of stories they run, knew they take sport seriously, and were confident they could do the sport we all love so much justice.

I saw you guys had coverage by your local TV station, which did the cliche derby story — did you know this would be different?
We hoped it would be but there’s always that lingering apprehension.  We’ve been on the morning news four or five times and while beyond grateful for the exposure and despite the fact that most reporters really have made the effort to research the league and ask about game play, a lot of it has been “lawyer by day, roller girl by night” coverage that is so common.  I think going into any kind of potential news coverage, you always hope this is going to be the one that covers it like an actual sport.  We knew James was a legitimate and talented sports writer which we felt would immediately give the article more weight than being just a story in the lifestyle section.

Did James treat you differently than other reporters you’ve dealt with?
He treated us like athletes instead of oddities which we’re thankful for more than he can possibly know.

He took a very different approach to telling derby’s story — what did your league think of the final article?
It was better than we could have imagined. It feels like an article about any other sport.  This may seem a silly thing to be so excited about but anyone who’s involved in roller derby knows it’s kind of a big deal. He captured all the passion, the triumph, the heartbreak, the hard work and the time that goes into being a part of a roller derby league. The picture he paints really is honestly and truly Greensboro Roller Derby and we feel like he’s done a great service to our league and to our sport.

Anything you wish wasn’t in there? Anything you wish he’d added?
There are always some nerves involved when waiting for a finished piece of media on your league because you never know how it’ll turn out. This was a big deal for us so the stakes were a little higher. Without sounding like we’re sucking up, we really feel like it’s perfect.

Do you think that using your WFTDA approval process was newsworthy?
I do. Besides lending a narrative to the piece, the fact that roller derby has a governing body makes it more able to be related to other sports. Being able to say “we’re getting/we got accepted into the NHL or NFL of roller derby” I think will make people realize roller derby is a permanent, legitimate sport.

Do you think the story reflected on derby as a whole?
All leagues are different and have their own paths but we all have the same struggles and issues and victories, no matter how big or small. Telling our specific story is obviously going to be different from other leagues’ but I think there are parallels that tie us all together. He highlighted not only the athleticism but also the community and the importance of charity work. The fact that James takes the sport and its players so seriously reflects well on roller derby and I hope others agree.

Anything else you want the derby world to know?
We know we were ambassadors for the entire sport in the article and hope we did roller derby proud.

Journalists miss the real ($50M) roller derby story. Every time.

News reporters miss the roller derby story every time. Every. Time. Distracted by the glitter, wheels, hitting and names that are bleach-penned onto our shirts, journalists slip and don’t cover roller derby like they would any other trend news story.

Regional and local papers always write the same story: YOURTOWN — By day Lacy Clems, 33, of Yourtown, is a nurse at Yourlocal Hospital. But by night the nurse pulls on her fishnets, laces up a pair of black roller skates and takes her place with the Local Rollergirls. (And then 600 more words about how people roller skate in an oval and somehow there are points scored, it’s maybe about community service and women and athletics, and also some quote about how one of the ladies uses this as stress relief from her babies and job.)

And that’s the local story.

The New York Times wrote about derby today. They wrote about Gotham’s intro to derby classes.

(Takes big breath)

And before I say what I need to say, I need to be fair: the Times let a derby girl write about derby back in 2010. They did a great job in 2009 covering nationals. And, with derby fitness classes gaining popularity, they covered this story at the exact right moment. But those are all the derby articles I can find without searching too hard.

Where were they at the first-ever world cup? Where were they at championships in 2011 and 2012 when Gotham slaughtered everyone? For the Times, it’s not just a local hokey story, it’s a national story, it’s an international trend. It’s sports, entertainment, news, economics, business. It’s a video opportunity. It’s gorgeous photography waiting to hit A1 or the cover of sports.

No matter.

They — and all newspapers — are missing the story. So, let me give it to them. This is for you, fellow newspaper reporters of the world:  Derby is the viral sport of this past decade. It has infected your town. It has infected every town in this country and many cities everywhere else in the world. In Rockland, Maine there is roller derby. In Austin, TX there is derby. Athletes skate in Berlin, London, Sydney, Brasília, Moscow, Toronto. They skate in Lansing, MI and in Moab, UT. And to those towns — those towns that can be dull, cloudy, economically depressed — these leagues are raking in two things: Women, money. To the former point: We are EVERYWHERE.

To the latter: As reporters, we love to “follow the money.” But when it comes to these hundreds of local businesses and nonprofits … nothing. Nothing on the multi-million dollar industry that is derby.

This bout brought in about 2,000 people (capacity) ... in a town of 3,000 people. That brought in ticket sales, got sponsors advertising time, brought in money to the local hockey rink ... and to the police force which surely collected parking ticket money.
This bout brought in about 2,000 people (capacity) … in a town of 3,000 people. That brought in ticket sales, got sponsors advertising time, brought in money to the local hockey rink … and to the police force which surely collected parking ticket money. Photo by Eric Baseler.

The nonprofit Women’s Flat Track Roller Derby Association looks over about 250 leagues. The roller derby roster — a derby name registry — has 39,239* skaters (mostly women) listed.

I’m sorry, I’ll say that again because maybe you didn’t quite read that right: 39,239 skaters. That’s as many women there are in Portland, Maine (the state’s biggest city).

OK. Now, let’s do math. Blog followers know how I love math. According to a study by WFTDA last year, skaters spent an average of $622 on skating equipment and gear in 2011, along with $656 in travel for roller derby and $223 in other support costs (dues, tickets for events). That’s $1,500 a skater. If there are in fact 39,239 skaters that is $58,858,500  — yeah, about $59 million a year from just the skaters — not the fans, the referees, the support staff, bout venues, rinks. That $59 million goes to local skate shops, local rinks, American skate companies, local hotels.

It’s a big fucking deal. (Do you hear me, New York Times?)

According to that WFTDA study last year, a third of derby fans make more than $75,000 a year. They have disposable income. Income to spend on $5-$30  bout tickets, merchandise and all the companies surrounding and sponsoring the sport.

They also have reach. About 36 percent of fans heard about derby through a friend. We have a crazy-huge network of people buzzing about derby in the world. I don’t have figures for how many derby fans there are in this world or how much they spend to travel to see games, how much they pay to stay in your towns, to eat in your towns, to support the local roller derby sponsors. Etcetera.

That’s where the story is. Somehow journalists have missed the (way more than) $59 million story of derby. A very basic story about the immensity of this sport that has lodged its claws into our nation. Sure it’s also about how thousands upon thousands of women have become better human beings: become athletes, learned to run a nonprofit, found a safe space to grow, and yes, a place to get away from stressful jobs and babies where they can wear fishnets and no one will call them a slut (…. OK, we might call them sluts, but it’s loving, not shaming.)

This sport is changing our world and impacting our local economies in a real, quantifiable way. GET ON IT, PRESS.

PORTLAND, Ore. -- A journalist by day, Heather Steeves, 25, of Portland, types angrily at her keyboard. But by night, Steeves -- aka Hard Dash -- straps on her old-style black roller skates and elbows you in the face.
PORTLAND, Ore. — A journalist by day, Heather Steeves, 25, of Portland, types angrily at her keyboard. But by night, Steeves — aka Hard Dash — straps on her old-style black roller skates and elbows you in the face.

*That 39,239 number might be inflated number because of skater drop outs — but there is also a huge back up of names waiting to be registered, so it’s unclear. (To make it harder to estimate: WFTDA does not keep a headcount of skaters, and even if it did, that number wouldn’t account for the non-WFTDA flat track leagues, the banked track leagues, the USARS leagues, the renegades …)